Genre is a critical tool that helps us study texts and audience responses to texts by dividing them into categories based on common elements. The main strengths of the genre theory is that everybody uses it and understands it - media experts use it to study media texts, the media industry uses it to develop and market texts audiences use to it to decide what texts to consume. It is easy to understand and also it accessible and can be applied across a wide audience and range of texts. You can apply any theory to any texts and get a reading out of it.
Daniel Chandler (2001) argues that the word genre comes from the French word for 'kind' or 'class'. The term is widely used in rhetoric literacy theory, media theory to refer to a distinctive type of texts.
Barry Keith Grant (1995) says that all genres have sub genres (more specific genres) in a genre.
Steve Neale (1995) stresses that 'genres are not systems' they are processes of systematization for example they are dynamic and evolve over time.
Nosfertu (1922) Trailer was the first vampire film, they use this image of Jewish people.
Interview with the vampire (1994)
- In colour and has sound
- Set in San Francisco
- Period drama
- Focus of the vampire unlike before from vampire being the bad guys now has become the protagonist.
Dynamic - Has to change - We recognise them.
Generic characteristics across all texts share similar elements of the below depending on the medium
- Typical mise-en-scene, typical narrative, generic types (typical characters)
- Important elements of minimal importance.
Comedy and animation are not genres, they are styles or treatments for example Walle (2008) animated.
Jason Mittell (2001) argues that genres are cultural categories that surpass the boundaries of media texts and operate within industry, audience and cultural practices as well.
Rick Altman (1999) argues that genre offers audiences a set of pleasures;
- Emotional pleasures
- Visceral pleasures
- Intellectual puzzles
Jay Z - 99 problems
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